Related Paintings of unknow artist :. | dar vanliga fartyg skulle ha fastnat i isen kunde roosevelt bryta sig fram utan risk genom smiths sund | Portrait of Peter Monamy | This Portrait of Mackenzie with a am matching in hand emphasize his importance as kartlaggare and upptackare | Magnolia Altissima | Victory of the light over the darkness | Related Artists:
John PettieBritish Painter, 1839-1893
He was brought up in Edinburgh and East Lothian, and in 1855 he entered the schools of the Trustees' Academy, Edinburgh, sponsored by the history painter James Drummond (1816-77). He studied under Robert Scott Lauder, and among his fellow students were WILLIAM QUILLER ORCHARDSON, Thomas Graham (1840-1906), George Paul Chalmers (1833-78), John Burr (1831-93) and John MacWhirter, several of whom later became part of Pettie's circle of Scottish artist friends in London. Pettie first exhibited at the Royal Scottish Academy in 1858 with In Trabois House (untraced), a scene from Sir Walter Scott's The Fortunes of Nigel, and he began sending work to the Royal Academy in 1860. From 1858 he provided illustrations for the periodical Good Words, and, encouraged by the reviews received for his early Royal Academy exhibits, such as The Armourers (exh. RA 1860) and What D'Ye Lack' (exh. RA 1861), when Good Words transferred its headquarters, Pettie moved to London in 1862. He shared a studio in Fitzroy Square with Orchardson and Graham from 1863 until his marriage to Elizabeth Ann Bossom on 25 August 1865. He subsequently lived at various addresses, gravitating towards the wealthy artistic colony in St John's Wood, where in 1882, at 2 Fitzjohn's Avenue, he built a neo-Georgian house and studio, The Lothians (destr.). This reflected not only the professional circle in which Pettie moved but also the rapid financial success that he achieved in London. From the mid-1860s his most important patron was John Newton Mappin, founder of the Mappin Art Gallery,
SALINI, Tommaso Italian painter, Roman school (b. 1575, Roma, d. 1625, Roma).Italian painter. He has long been famed as a witness in the lawsuit of 1603 brought by his friend and biographer, Giovanni Baglione, against Caravaggio. His activity as a painter of religious works, still-lifes and genre paintings has been reconstructed in the decades following 1950, although his chronology remains uncertain. He entered the Accademia di S Luca in 1605 but was afterwards expelled on account of his 'difetto', to be readmitted in 1618. He was decorated with the Order of the Golden Spur and became a member of the Congregazione di Virtuosi al Pantheon.
Jaime Morera GaliciaSpanish , 1854-1927